Selected Events & Articles
Plant Stress (SPF 50)
Video Installation
The Glenkeen Variations: ArtNature/NatureArt
Crespo Foundation
Eröffnung / Opening: October 10, 2024, 18:00h
Crespo Haus
Weißfrauenstraße 1-3
60311 Frankfurt am Main
Ewigkeitsgeräusche / Forever Sounds
Ein Kunstwerk von / An artwork by Moritz Fehr
Deutsches Bergbau-Museum Bochum / German Mining Museum Bochum
Soundskulptur (Eingangshalle) und virtuelle Skulptur (Augmented Reality) (vor dem Museum) /
Sound sculpture (entrance hall) and virtual sculpture (augmented reality) (in front of the museum)
Weitere Informationen zum Projekt / Further information on the project ↗︎
Laufzeit / Duration: September 22, 2024 - September 21, 2026
Eröffnung / Opening: September 22, 2024, 14:00h, Hauptportal / Main portal
Deutsches Bergbau-Museum Bochum
Am Bergbaumuseum 28
44791 Bochum
www.bergbaumuseum.de ↗︎
The Glenkeen Variations: Disquieting Frequencies
Exhibition: Moritz Fehr and Marcus Maeder at the Goethe-Institut Dublin ↗︎
Duration: 07.03.24 - 06.04.24, Opening: Thu., 07.03.24, 6:00 p.m.
Presented by the Crespo Foundation and the Goethe-Institut Ireland
More information on the Glenkeen Variations exhibition↗︎
Panel discussion: Moritz Fehr with Prof. Marcel Jansen
The Glucksman, University College Cork; Ireland ↗︎
Fri., 08.03.24, 1:00 p.m.
Foreshore Act (Landscape Study), Video- and Soundinstallation by Moritz Fehr
Working Artist Studios, Ballydehob, Ireland ↗︎
Sat., 09.03.24, 4:00 - 6:00 p.m.
Public lecture: Staedelschule, Frankfurt a.M. ↗︎, January 9, 2024, 7:00 p.m.
Composing Data Acquisition (A song of sadness) ↗︎
Essay by Moritz Fehr, Gugak Nuri Magazine of the National Gugak Center, Seoul, September 2022
Dinge ordnen, Artist talk with Moritz Fehr and Sybille Hofter
Werkbundarchiv - Museum der Dinge Berlin, ↗︎ 07 November 2023
Pissarro Sounds
: A short radio feature on the exhibition
Camille Pissarro: The Studio of Modernism ↗︎ Paul von Rosen, Radio X Basel, October 2021
Pissarro Sounds
: Wenn Gemälde erklingen:↗︎ eMagazin FHNW Nordwestschweiz, 2022
Moving in every direction: Multiperspektivik und Intersubjektivität in der Inszenierung
zeitbasierter Medien im Raum (HSLU Luzern)↗︎ Lecture, 2022
The Invisible Choir
Information on the exhibition project Pictures, Voices and Clichés: Female SS Guards at the
Ravensbrück Women’s Concentration Camp ↗︎ Including artistic contributions by Marianna Christofides, Arnold Dreyblatt, Moritz Fehr, Dominique Hurth
and Susanne Kriemann, Mahn‑ und Gedenkstätte Ravensbrück, 2020
Spatial Sound Installation: Reflections ↗︎ realized for the main hall of the former Airport Tempelhof Berlin as part of the exhibition
Living the City↗︎
September 25 - December 20, 2020
Curated by Lukas Feireiss, Tatjana Schneider, TheGreenEyl
On behalf of the Federal Ministry of the Interior, Building and Community within the framework of the
National Urban Development Policy
On Mojave (A Person Was Here):
Immersivity in Films: A Film and Media Studies Perspective ↗︎
Laura Katharina Mücke in: Ambiances, International Journal of Sensory Environment, Architecture
and Urban Space, Varia:
Immersivity: An Interdisciplinary Approach to Spaces of Immersion (Essay, 2020): December 2020
Sound Unheard – An Exhibition at the Goethe-Institut Paris:
Auditive Perspektiven, kunsttexte.de, Nr. 1, 2020↗︎
The exhibition took place at the Goethe-Institut
Paris/France from 13 September to 27 October 2019. It was curated by Daniele Balit, Katharina Scriba
and Anne Zeitz.
Participants: Lawrence Abu Hamdan, Nina Canell, Moritz Fehr, Terry Fox, Rolf Julius, Christina Kubisch,
Natascha Sadr Haghighian & Nicholas Bussmann, Mario de Vega and Miki Yui. The exhibition was
co-produced by the Gaîté Lyrique and realized in cooperation with the German Center for Art History in Paris.
Lunch Lecture with Moritz Fehr
FH Joanneum - Institut für Design & Kommunikation, Graz, Austria 2019 ↗︎
Essay by Moritz Fehr on composing for Panoramic Paintings, in: ↗︎
More than Meets the Eye – The Magic of the Panorama
A publication of the International Panorama Council edited by Gabriele Koller. It includes essays by
29 authors who take a look at the panorama phenomenon from different angles and perspectives –
all of them united by the fascination with the magic of the art form which offers more than meets the eye.
The International Panorama Council, Published by Büro Wilhelm Verlag, Amberg, 2019
In The Company of Artists:
↗︎Texts and essays by Claire Barliant, Pieranna Cavalchini, Audrey Hsia, Casey Riley and Tiffany York
On the residence program of the Isabella Stewart Gardner Museum,
Published by the Isabella Stewart Gardner Museum, Boston, 2019
Colosseum: Kunst & Kohle - The Battle of Coal
↗︎
Skulpturenmuseum Glaskasten Marl, Exhibition Catalogue,
Wienand Verlag Köln, 2018
Colosseum: The Barrick Museum's 'Preservation' mounts a stunning visual defense against loss
↗︎ Dawn-Michelle Baude in: Las Vegas Weekly, October 2017
Undertone: Sound art at the Gardner: Seeing with your ears ↗︎
Cate McQuaid in: Boston Globe, March 2017
Undertone: Thoughts on Listen Hear at the Gardner ↗︎ DJ Hatfield, March 2017
Undertone: At Boston’s Gardner Museum, It’s Time to “Listen Hear”
↗︎ Michael Levin in: The Huffington Post, March 2017
Read about Gerard Byrne’s installation
„In Our Time“ ↗︎ for which Moritz Fehr composed an immersive
sound space and performed on the piano. The installation was first presented at Skulptur Projekte Münster, 2017.
Die Mur. Eine Kulturgeschichte.
Interview with Moritz Fehr,
Bettina Habsburg-Lothringen in: Die Mur. Eine Kulturgeschichte, Bettina Habsburg-Lothringen (Hrsg.)
Universalmuseum Joanneum, Graz, Exhibition Catalogue, 2015
Exhibition
Undersound ↗︎: Kunstverein Hildesheim, 2015