Moritz Fehr is an independent artist currently living and working in Berlin. Following a conceptual and research-based approach, he explores constellations of objectivity and emotion, technology and nature, and psychological and perceptual aspects of listening. He realizes works with sound and moving images, which he often presents as site-specific installations, interventions or environments.
An abandoned gold- and copper mine, the empty frame of the stolen painting The Concert by Vermeer, the Veterinary Anatomy Theatre in Berlin and two large-scale panoramic paintings have been, among others, subjects of his work.
His projects have been presented internationally, for example at the Isabella Stewart Gardner Museum (Boston), Skulpturenmuseum Glaskasten (Marl), Barrick Museum of Art (Las Vegas), Youkobo Art Space (Tokyo), The Museum of Jurassic Technology (Los Angeles), Kunstsaele (Berlin), Beyond 3D Festival ZKM (Karlsruhe), Ethnological Museum (Berlin), After the Butcher Gallery (Berlin), Tieranatomisches Theater (Berlin), European Media Arts Festival (Osnabrück), Universalmuseum Joanneum (Graz), Smithsonian Hirshhorn Museum (Washington DC), Arko Art Center (Seoul), Kunstverein Hildesheim, Deutsches Hygiene-Museum (Dresden), Goethe-Institute (Paris) and Kunstmuseum Basel.
Some of his projects, which were realized as long-term or permanent installations, can be visited at the Velaslavasay Panorama (Los Angeles), Jerusalem Panorama (Altoetting), Continuous Drift (Dublin) and at the Mahn‑ und Gedenkstätte Ravensbrück (Memorial Museum Ravensbrück).